After going to the effort to shoot photographs I often arrived at the question, " Now what do I do with them"? This site will provide an outlet for some of those photographs, and perhaps generate other questions along the way. Jim Staub
Wednesday, November 9, 2016
Sunday, October 30, 2016
About an Hour at York Train Station
In 2010 we took a vacation to England and Scotland. Our friends from Pasadena had moved to the Oxford district, so they threw the welcome mat down and played tour guides for a dozen days. We all took a train trip north to Edinburg, Scotland for a few days. A stop over at the York train station gave me time to snap a few frames of the aged and beautiful station. Jim Staub - October 30, 2010
Monday, September 28, 2015
The Collected Snapshot - Part 1
Growing up with family photo albums and family slide shows gave me an early appreciation for photography. Years later I came to collected other people's albums and photographs at thrift shops and swap meets. Call them snapshots, I'm fine with the slight which this may imply. I have found at the heart of a "snapshot" the untrained eye seeking a fact, with enthusiasm, often producing an awkward beauty and truth. The informed art photographer must work very hard to get to the naivete of an actual snapshot, in their own work.
This short stack of snapshots are almost all anonymous and silent. Silent owing to a lack of description; no names on the front of back of the print. They are moments in time adrift. They are caught in this web for a brief spell.
Jim Staub - September 28, 2015
Monday, July 27, 2015
Friday, March 20, 2015
Photoshop and the 1977, 4x5" Black and White Negative
From 1975 to 1979 I took my two view cameras (4x5" 5x7") and an old flash out into the night to photograph scenes in Southern California. I had been using a 4x5" Crown Graphic camera since my time in college a few year before this project.
I'm focusing on one image taken 38 years ago, which I recently scanned as an illustration of a photo applied to one aspect of Photoshop, the "Gradient Map". I printed a number of these negatives over the years in darkrooms, most as standard full tone silver prints. On some of the night images I attempting to achieve a split-tone effect with selenium and blue toners. It was hit and miss. When it worked I was quite happy with the results.
I recently discovered in Photoshop's gradient maps, an array of simulated photo chemical single tones, and split tones - very much what I was after years ago in the darkroom.
I'm focusing on one image taken 38 years ago, which I recently scanned as an illustration of a photo applied to one aspect of Photoshop, the "Gradient Map". I printed a number of these negatives over the years in darkrooms, most as standard full tone silver prints. On some of the night images I attempting to achieve a split-tone effect with selenium and blue toners. It was hit and miss. When it worked I was quite happy with the results.
I recently discovered in Photoshop's gradient maps, an array of simulated photo chemical single tones, and split tones - very much what I was after years ago in the darkroom.
Here is the photo, "Freeway Underpass" as an unvarnished straight scan.
The photo with Sepia Midtones.
The photo with Sepia/Selenium tone.
The photo with Blue/Selenium tone.
The photo with Blue/Sepia tone.
The photo with Gold/Sepia tone.
This is the short selection of toner gradient maps available. Each gives the image its own flavor. After playing with these gradient maps, as fun and curious as they are, I find myself going back to the original scanned image as the best, for its factual representational document of that flash going off under the freeway underpass 38 years ago with my old Crown Graphic waiting to catch the light. I'm keeping my options open with the gradient maps nevertheless. Jim Staub - March 20, 2015
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